Eclectic

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Shield Terminology

The shield generally referred to as the coat of arms can be divided into nine areas. Typically, things appearing in the top half of the shield are of more importance than things appearing in the bottom half. In turn, things on the left are more consequential than things on the right. Thus, in a shield divided into 9 fields, the elements in the upper left would be of most significance. Of course, a shield need not be divided into nine fields.

To be able to communicate exactly what should appear on a shield, one needs to follow customs precisely. To this end, a set of terms, referred to as “blazon”, have been developed to communicate precisely what is to go where on a shield. To give you an idea of how this works, I’ll work through the graphic accompanying this entry.

Let’s take the letters first, A refers to the “Dexter Side of the shield…that is the left side, B to the “Sinister” or right side, C to the “Chief” or top half, and D to “Base” or bottom half. Now we’ll proceed by the numbers. Number one on the shield is referred to as the “Dexter Chief” area, number two “Center Chief”, three “Sinister Chief”, four is the “Honor Point”, five “Fess” or center point, six is “Nombril” or navel point, seven is the “Dexter Base”, eight “Center Base”, and finally nine is the “Sinister Base”. Using this language anyone familiar with Blazon terminology will understand when you say you want a “Chevron” or whatever at the “Honor Point” (i.e., the Chevron is to be placed at the number four on the illustration).

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Armorial Achievement

The Armorial Achievement refers to a description of a shield, mantle, helmet, crest, motto, and supports of a coat of arms. Blazon is the language used to describe the shield. For instance, George Washington’s shield (the one that accompanies this entry) would be described as “Argent, two bars gules, in chief three mullets of the second.” In common parlance, it means the shield is silver, has two red horizontal bars, with three mullets (mullets are not stars but refer instead to spur rowels) across the upper third of the shield. These will be red in color (of the second means they are to be the color mentioned second in the blazon). In English heraldry the mullet is the mark of the third son. Other symbols were used by the English to designate birth order of sons on shields (a label…a narrow strip with three pendants…is reserved for the first born son; a crescent for the second born son; the third, a mullet; the fourth, a martlet (mythical bird).

Helmets take varying shape to indicate the rank of the person wearing the coat of arms (duke, earl, etc.). The helmet rests on a mantle. The mantle is essentially a scarf folded over to reveal the colors on both sides of the scarf. The crest usually resting on the helmet and can be various animate (hand, stag, etc.) or inanimate (scroll, scale, etc.) objects. The charges, colors, crests, and so forth all have particular meanings (like the mullet to refer to the third son).

Mottos on coats of arms were a fairly recent development. Mottos can appear above or below a coat of arms.

Supporters (animals or human forms) appear on both sides of the shield. Their use is restricted to royalty, the peerage, and some orders of knights.

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Tincture

Tincture refers to the metals, colors, and furs used in heraldry. In general, two metals, five colors, and two furs are used in the composition of coats of arms. Like any other area there are exceptions to these general expectations (other colors being used for instance). There is also the expectation that one metal will not be imposed on another, nor one color on another. Again, this rule is violated on occasion. However, the aforementioned colors, metals, and furs account for the vast majority of coats of arms. The metals involved are Or (gold) and Argent (silver). The colors are Gules (red), Azure (blue), Sable (Black), Vert (Green), and Purpure (purple). A table listing these elements is provided below for the English version of these tinctures. The same tinctures but with different names can be found in other heraldry traditions (France, Germany, etc.). You will notice that there is a column depicting the element (gold or whatever) in black and white as well as color. The black and white patterns were developed to convey the precise color, metal or fur in a common vernacular and to make the re-creation of a coat of arms a relatively simple matter.

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Heraldry: Introduction

Heraldry is so named because of the heralds who were charged by Kings or Lords to keep track of family relationships and the rather intricate coats of arms associated with said families.

The origin of the use of coats of arms can be traced back to military applications. Coats of arms first appeared on shields as a way of identifying friend and foe. This was necessary because most of the soldiers were illiterate but could easily identify heraldic symbols. Eventually, the same symbolism used on the shield was transferred to the tunic worn over the knight’s armor, thus, the origin of the term “coat of arms”.

The use of heraldic symbols began in the 11th or 12th century and quickly spread beyond military applications. Much of the population was illiterate and needed a way to identify themselves in transactions of various sorts. Thus, many of them used coats of arms on stamps used on wax seals to let others know the document involved was genuine.

As we will see when we explore the topic in other sections of this chapter, heraldic symbols are precise, intricate and detailed. Eventually, thousands of coats of arms were developed and became associated with the families who developed them. Today people wear them proudly on clothing, on lapel pins, or display them in various ways, as I do the Ayres badge below.

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Welsh Dragon

It was through an association with the Tudors that the Red Dragon became a symbol of Wales and became an integral part of the Welch Flag. In effect, when Henry Tudor’s forces faced Richard III’s forces at Bosworth in 1485 Welsh forces under the Red Dragon played a crucial role in his victory. Thus, he adopted the flag as a tribute to the Welsh people (you can find more information about these events in Lofmark’s (1995) “A History of the Red Dragon”). Not surprisingly then the Red Dragon became symbolic of Wales.

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Luckenbooth

The Luckenbooth design was so named because it came from the “locked” booths on the Royal Mile to St. Giles Cathedral in Edinburgh. This design, in broach form, was traditionally exchanged between lovers upon betrothal. The intertwining hearts are often inscribed with phrases like “of earthly joys thou art my choice”. The crown on the brooch is symbolic of Mary Queen of Scots

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thistle

The thistle is a national symbol in Scotland. It may seem a bit odd, especially to farmers, that the thistle would be a country’s national symbol. However, when one knows the story associated with the thistle in Scotland, it is very understandable. The story goes something like this. One evening long ago, the Scottish army was encamped and settled down for the night. At the same time, an invading army was silently moving into position to slaughter the unaware Scots (the nationality of the invading army is in some doubt so I’ll just refer to them as an invading army). Fortunately for the Scots, the invading army stepped on thistles and cried out in pain. Naturally, this alerted the Scots and they were ready when the attack came and were victorious. Thus, the thistle became the national symbol of Scotland.

Brigid’s Cross

There are at least two versions of the creation of St. Brigid’s Cross. One version is that she wove it to pass the time while attending to her father on his deathbed. He wanted to know what it was. She explained it represented the cross on which Christ was crucified. Although a pagan, he was so moved he accepted Christianity before he passed away (in another version it is a local Chieftain rather than her father).

Brigid’s cross is held in high regard in Ireland. It is believed that displaying the cross in one’s home will protect the inhabitants because of St. Brigid’s miraculous accomplishments. More detail on St. Brigid will be presented when we develop the Saint’s section of this blog.

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harp

The Irish Harp is the unofficial national symbol of Ireland. Authentic Irish harps are made from one solid piece of wood and have a very unique sound.

Historically harpists provided entertainment at the royal court. Consequently, harp music was closely tied to Ireland’s national identity so much so that invaders banned harp music in an effort to keep resistance to a minimum. That ban and the resistance to that ban is probably the reason behind the esteem the harp is held in Ireland. It is clearly a symbol of Irish pride and heritage.

Today harp music is ever present at weddings and other special occasions. Harp decorations adore jewelry, clothing, and so forth. There are also some very good harpists around who have made their music (both traditional and contemporary) available on CDs. Harp themed jewelry is very popular for obvious reasons.

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Shillelagh

A Shillelagh is essentially a club fitted with a leather wrist strap (not a true national symbol of Ireland but close). It is typically made out of the wood from the blackthorn bush (light but very stout). The name and club may have originated in the village of Shillelagh in County Wicklow but no one knows for sure. It was used in the 19th century in traditional Irish stick fighting (called Bataireacht). The Shillelagh with its large knob head is useful for self-defense as well. 

On a side note, blackthorn hedges, which are almost impenetrable, are thought to be favorite haunts of fairy-folk.